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HomeLIFESTYLENominated Best Música Urbana Album at the 2023 GRAMMYs

Nominated Best Música Urbana Album at the 2023 GRAMMYs

 

The Best Música Urbana Album Nominees at the 2023 GRAMMYs come from some of the largest names in Latin music, every of whom have fused a special sensibility and a range of influences into their records.

Perhaps due to the fact in its contemporary incarnation música urbana tackles such a large array of influences — from the anticipated jump of reggaetón to ominous lure moods, frantic dembow and a cool sprint of Latin pop — the style has turn out to be a hub for freshness and creativity.

All 5 nominees for Best Música Urbana Album at the sixty fifth GRAMMY Awards are worldwide stars, however none of them allowed reputation to lead into stagnation.

On the contrary, their albums are described via reducing part innovation and difficult new sounds. Read on to analyze greater about choices from Bad Bunny, Daddy Yankee, Farruko, Maluma and Rauw Alejandro.

Released in 2019, the first extent of Trap Cake served as a laboratory the place the Puerto Rican singer experimented with uncommon textures. Vol. two marches on the identical avant-garde principles, serving as a provocative bridge between Rauw’s genre-defining smash Vice Versa and his stressed 0.33 album Saturno.

The manufacturing is slick and ethereal on this luxurious mini-album seeped in a hazy cloud of depression nostalgia. The song box-like opening lines of “MUSEO” trace at the treasured ambient sonics at hand, whereas the distorted electric powered guitar and aggressive downbeat of “GRACIAS POR TODO” opens up an fascinating window to the quirks of Rauw as practicable rock’n’roller.

Co-produced through Jamaican helmer Rvssian, the darkly hued “Caprichoso” points contributions through the singer’s romantic companion — the one and solely Rosalía.

Bad Bunny — Un Verano Sin Ti
How do you rejoice the affirmation of your popularity as a younger international pop star? In the case of Bad Bunny, he launched the last summer season album — an imaginary mixtape, supposed to be booming in the history as the poolside celebration rages on.

The Puerto Rican phenomenon focuses on his regular preoccupations — erotic foreplay, wish as transcendent lifeforce, the stinging aftertaste of romantic separation — however the beats and layers of atmospherics are extra summary and psychedelic than on previous releases.

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Even although Un Verano Sin Ti boasts stellar collaborations with the likes of Tainy, Rauw Alejandro and Chencho Corleone, the album finds some of its most compelling passages in the stylistic detours of “Ojitos Lindos” — with Colombia’s Bomba Estéreo — and the choice tropi-rock of “Otro Atardecer,” with the Marias.

Daddy Yankee — LEGENDADDY
2022 used to be the yr when the “Gasolina” pioneer startled the Latin tune institution by way of saying his retirement at age forty six Fortunately, Daddy Yankee’s farewell got here in the form of a sprawling birthday party record. LEGENDADDY feels like a passionate, and every now and then wistful, love letter to the limitless range that has usually described Afro-Caribbean music.

Yankee’s rapid-fire shipping and reggaetón riddims are ever-present, of course, however the menu additionally consists of some wacky dembow (“BOMBÓN,” with Lil Jon and Dominican hitmaker El Alfa), and the actually wondrous fusion of salsa, reggaetón and spidery bachata traces on the kinetic “RUMBATÓN.” On “AGUA,” Yankee is joined by way of Rauw Alejandro and guitar god Nile Rodgers for a jam infused with post-disco zest.

Yankee’s electrifying stay performances will be missed, however this emotional swan music supplies an becoming epic finale to a high-quality career.

Farruko — La 167
A professional veteran of the urbano landscape, Farruko has usually been revolutionary in his mission to increase stylistic boundaries. The title of his seventh studio album is a reference to the singer/songwriter’s childhood memories: the 167 motorway in the Bayamón vicinity of Puerto Rico the place he grew up.

At the equal time, the album additionally displays Farruko’s substantial travels throughout Latin America. “Pepas,” the collection’s bonafide hit, is an anthemic electro-guaracha that stays shut to the genre’s roots in Colombia.

“Baja Cali” mixes Latin rap with the younger technology of corridos that defines the current of música mexicana, and the breezy “W.F.M.” (featuring Jamaican vocalist Mavado) delves into candy dancehall vibes. On “Jíbaro,” Farruko cherishes his boricua origins alongside bolero revivalist Pedro Capó. A man of the world, he sounds the happiest when he returns home.

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