Feminism once again invokes the poet’s female characters in the second part of the “Los hombres de Federico” trilogy.
Shade Federico Garcia Lorca Stretched up to 2022, driven by fans and readers, with new productions, reviews, songs, essays, travel books, and fiction that bring it back from other perspectives. The last one is signed by the university professor Ana Bernal Trevino (Malaga, 1980)An expert on violence against women in collaboration with the painter Vanessa Burrell, Lady Dissidia’s art. The couple met last year on Vol Federico women, a charity in which Granada’s most cosmopolitan female characters become aware of their status as victims and, in a pirandelle twist, meet their creator in the Huerta de San Vicente. Full, bright sorority workout.
After one year, Frederick’s men (Lunwerg) brings, from the hands of the same authors, a continuation of this proposal that does not give the floor to the male characters in García Lorca as it might seem. They still have a word for Yerma, La Zapatera or Doña Rosita, who are now determined, not without fear, to face the demands of Some menacing men who have marked their lives with violence. Hence the tones of Borel’s drawings are more reddish and the fragrance of the story takes on a more sinister tone. The author plans to close the trilogy soon with the third volume, Federico returns.
parallel lives
“I wanted to compare the lives of these women to the present,” explains the author in Barcelona, the seat of the University of British Columbia where she teaches, “and I wanted to convey how, after the euphoria of discovering a feminist ideal, the difficulty of achieving those desires is usually seen in A society that does not stop putting obstacles in front of women& rdquo;. More action and more characters compared to the first installment, this second brings in more complex female voices. Such is the case of Bernarda Alba, the woman who forcefully castrates Spain’s darkest values. Bernarda already appeared in the first installment, but here I encounter her with a new character for me, Novio Di’s mother. blood wedding. Both are widows and a strong patriarchal symbol, but they help me deepen the notion that female education is not the same as male education. And it is that no one is born macho or a feminist, by the fact that they are a man or a woman.
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It is not difficult for Bernal to compare these oppressed women of the early twentieth century with the women of today, a century later. “There is a drawing of Vanessa that very well illustrates the perception of the threatened woman and it is the one in which the townspeople surround one of them with torches to instruct her publicly because she has violated social norms. I see no difference with the way in which some of the current women, the victim of the package for example, have been prosecuted and harassed on social networks.” Because they dared to break the silence, she says at a time when gender disqualifications were coming to parliament with so much ferocity alongside the far right.
Of course he understands that daring to tread the paths opened up by Lorca is a little perilous, and may seem like a blunt. She explains it as an act of love:My life is connected to Federico & rdquor;. But also, the teacher inside offers another explanation: “This could have been an essay, like others I’ve written, but I He wanted to reach a wider audience And imagination makes it easier for you. This intention is not too far removed from the popular and democratic idea Lorca had of culture.
